While D-Photo will use any excuse to go to the movies, Wes Andersons’ adaptation of Roald Dahl’s Fantastic Mr Fox is a particularly good one: the entire feature was created using 621,450 separate still frames.
Meticulously-crafted figures were moved frame-by-frame, and then shot on a range of dSLR cameras – primarily the new Nikon D3s. According to PDNPulse, the team working on the film also managed to set up a digital workflow system which allowed the director to view scenes from anywhere in the world, as they happened.
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